A classic work from early in Russell's career and his major engagement with the nature of the mind Set the path for much of his subsequent philosophical beliefs about mind and consciousness Revised and updated Introduction by Thomas Baldwin places the book in helpful historical and philosophical context

This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.

G. E. Moore's fame as a philosopher rests on his ethics of love and beauty, which inspired Bloomsbury, and on his 'common sense' certainties which challenge abstract philosophical theory. Behind this lies his critical engagement with Kant's idealist philosophy, which is published here for the first time. These early writings, Moore's fellowship dissertations of 1897 and 1898, show how he initiated his influential break with idealism. In 1897 his main target was Kant's ethics, but by 1898 it was the whole Kantian project of transcendental philosophy that he rejected, and the theory which he developed to replace it gave rise to the new project of philosophy as logical analysis. This edition includes comments by Moore's examiners Henry Sidgwick, Edward Caird and Bernard Bosanquet, and in a substantial introduction the editors explore the crucial importance of the dissertations to the history of twentieth-century philosophical thought.

A classic work from early in Russell's career and his major engagement with the nature of the mind Set the path for much of his subsequent philosophical beliefs about mind and consciousness Revised and updated Introduction by Thomas Baldwin places the book in helpful historical and philosophical context

This book explores the work of spectres in Denis Diderot's Salons, Marcel Proust's A la recherche du temps perdu, and Gilles Deleuze's Francis Bacon, logique de la sensation. It examines the extent to which Diderot, Proust and Deleuze are able to resist the 'Marcellus complex'.

G.E. Moore, more than either Bertrand Russell or Ludwig Wittgenstein, was chiefly responsible for the rise of the analytic method in twentieth-century philosophy. This selection of his writings shows Moore at his very best. The classic essays are crucial to major philosophical debates that still resonate today. Amongst those included are: * A Defense of Common Sense * Certainty * Sense-Data * External and Internal Relations * Hume's Theory Explained * Is Existence a Predicate? * Proof of an External World In addition, this collection also contains the key early papers in which Moore signals his break with idealism, and three important previously unpublished papers from his later work which illustrate his relationship with Wittgenstein.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Contents:
Acknowledgments Editor's Introduction 1. Merleau-Ponty's prospectus 2. Selections from The Structure of Behavior 3. Selections from The Phenomenology of Perception (i) Preface (ii) Part I: The Body (a) Introduction
(b) From Chapter 1 - The Body as Object and Mechanistic Physiology (c) From Chapter 3 - The Spatiality of one's own Body and Mobility (iii) Part II: The World as Perceived (a) From introduction (b) From Chapter 1 - Sense-Experience (c) From Chapter 3 - The Thing and the Natural World (d) From Chapter 4 - Other Selves and the Human World (iv) Part III: Being-for-itself and Being-in-the-world (a) Chapter 1 - The Cogito (b) Chapter 3 - Freedom 4. Selection from The Prose of the World Chapter 4 - The Algorithm and the Mystery of Language 5. Selection from The Visible and the Invisible Chapter 4 - The Intertwining - The Chiasm 6. Painting (i) 'Cezanne's Doubt' (ii) 'Eye and Mind' 7. History 'The Crisis of Understanding'

G.E. Moore, more than either Bertrand Russell or Ludwig Wittgenstein, was chiefly responsible for the rise of the analytic method in twentieth-century philosophy. This selection of his writings shows Moore at his very best.
The classic essays are crucial to major philosophical debates that still resonate today. Amongst those included are:
* A Defense of Common Sense
* Certainty
* Sense-Data
* External and Internal Relations
* Hume's Theory Explained
* Is Existence a Predicate?
* Proof of an External World
In addition, this collection also contains the key early papers in which Moore signals his break with idealism, and three important previously unpublished papers from his later work which illustrate his relationship with Wittgenstein.

Maurice Merleau-Ponty's Phenomenology of Perception is widely acknowledged to be one of the most important contributions to philosophy of the twentieth century. In this volume, leading philosophers from Europe and North America examine the nature and extent of Merleau-Ponty's achievement and consider its importance to contemporary philosophy.

The chapters, most of which were specially commissioned for this volume, cover the central aspects of Merleau-Ponty's influential work. These include:

• Merleau-Pontya (TM)s debt to Husserl
• Merleau-Pontya (TM)s conception of philosophy
• perception, action and the role of the body
• consciousness and self-consciousness
• naturalism and language
• social rules and freedom.

Contributors: David Smith, Sean Kelly, Komarine Romdenh-Romluc, Hubert Dreyfus, Mark Wrathall, Thomas Baldwin, Simon Glendinning, Naomi Eilan, Eran Dorfman, Francoise Dastur

Maurice Merleau-Ponty's Phenomenology of Perception is widely acknowledged to be one of the most important contributions to philosophy of the twentieth century. In this volume, leading philosophers from Europe and North America examine the nature and extent of Merleau-Ponty's achievement and consider its importance to contemporary philosophy.

The chapters, most of which were specially commissioned for this volume, cover the central aspects of Merleau-Ponty's influential work. These include:

• Merleau-Ponty 's debt to Husserl
• Merleau-Ponty 's conception of philosophy
• perception, action and the role of the body
• consciousness and self-consciousness
• naturalism and language
• social rules and freedom.

Contributors: David Smith, Sean Kelly, Komarine Romdenh-Romluc, Hubert Dreyfus, Mark Wrathall, Thomas Baldwin, Simon Glendinning, Naomi Eilan, Eran Dorfman, Francoise Dastur

Merleau-Ponty was a pivotal figure in twentieth century French philosophy. He was responsible for bringing the phenomenological methods of the German philosophers - Husserl and Heidegger - to France and instigated a new wave of interest in this approach. His influence extended well beyond the boundaries of philosophy and can be seen in theories of politics, psychology, art and language.
This is the first volume to bring together a comprehensive selection of Merleau-Ponty's writing.
Sections from the following are included:
The Primacy of Perception
The Structure of Behaviour
The Phenomenology of Perception
The Prose of the World
The Visible and the Invisible
Sense and Non-Sense
The Adventures of the Dialectic
In a substantial critical introduction Thomas Baldwin provides a critical discussion of the main themes of Merleau-Ponty's philosophy, connecting it to subsequent philosophical debates and setting it in the context of the ideas of Bergson, Husserl, Heidegger and Sartre. Each text is also prefaced with an explanation which sets it in its context in Merleau-Ponty's work; and there are extensive suggestions for further reading to enable students to pursue the issues raised by Merleau-Ponty. Thus the book provides the ideal materials for students studying Merleau-Ponty for the first time.

"Painting does not imitate the world, but is a world of its own."
In 1948, Maurice Merleau-Ponty wrote and delivered on French radio a series of seven lectures on the theme of perception. Translated here into English for the first time, they offer a lucid and concise insight into one of the great philosophical minds of the twentieth-century.
The lectures explore themes central not only to Merleau-Ponty's philosophy but to phenomenology as a whole. He begins by rejecting the idea - inherited from Descartes and influential within science - that perception is unreliable, prone to distort the world around us. Merleau-Ponty instead argues that perception is inseparable from our senses and it is how we make sense of the world.
Merleau-Ponty explores this guiding theme through a brilliant series of reflections on science, space, our relationships with others, animal life and art. Throughout, he argues that perception is never something learned and then applied to the world. Ascreatures with embodied minds, he reminds us that we are born perceiving and share with other animals and infants a state of constant, raw, unpredictable contact with the world. He provides vivid examples with the help of Kafka, animal behavior and above all modern art, particularly the work of Cezanne.
A thought-provoking and crystalline exploration of consciousness and the senses, "The World of" "Perception" is essential reading for anyone interested in the work of Merleau-Ponty, twentieth-century philosophy and art.

G. E. Moore's fame as a philosopher rests on his ethics of love and beauty, which inspired Bloomsbury, and on his 'common sense' certainties which challenge abstract philosophical theory. Behind this lies his critical engagement with Kant's idealist philosophy, which is published here for the first time. These early writings, Moore's fellowship dissertations of 1897 and 1898, show how he initiated his influential break with idealism. In 1897 his main target was Kant's ethics, but by 1898 it was the whole Kantian project of transcendental philosophy that he rejected, and the theory which he developed to replace it gave rise to the new project of philosophy as logical analysis. This edition includes comments by Moore's examiners Henry Sidgwick, Edward Caird and Bernard Bosanquet, and in a substantial introduction the editors explore the crucial importance of the dissertations to the history of twentieth-century philosophical thought.

This book confronts the singularity of the relationship between two exemplary writers of the last century in order to challenge and to reinvigorate our notions of what art and criticism - literary or otherwise - can do. While it takes Roland Barthes's encounters with Marcel Proust's monumental masterpiece A la recherche du temps perdu as its specific focus, the implications of its argument are far-reaching. Indeed, the book argues that Barthes's writing on Proust's work between the early 1950s and 1980 (including a substantial set of unpublished notes for a series of seminars delivered at the University of Rabat in 1969-1970) proposes not only a critical culture of Proust that is productively inconsistent, but also, more generally, a fresh understanding of criticism as a creative activity that embraces insecurity and variation as it refuses to remain fixed upon reassuringly stable themes, meanings and interpretations.

Principia Ethica is recognized as the definitive starting point for twentieth-century ethical theory. The text is reprinted here with the previously unpublished preface Moore wrote for a planned, but never completed, second edition. Though unfinished, it sets out clearly Moore's second thoughts about his own work. The volume also includes two important pieces from his later ethical writings, "Free Will" and "The Conception of Intrinsic Value," and a new introduction by Thomas Baldwin.

The Cambridge History of Philosophy 1870-1945 comprises over sixty specially commissioned essays by experts on the philosophy of this period and is designed to be accessible to non-specialists who have little previous familiarity with philosophy. As with the other volumes in the series, much of the emphasis of the essays is thematic, concentrating on developments during the period across a range of philosophical topics, from logic and metaphysics to political philosophy and philosophy of religion. Several chapters also discuss the changing relationship of philosophy to the natural and social sciences during this period. The result is an authoritative survey of this rich and varied period of philosophical activity, which will be of critical importance not only to teachers and students of philosophy but also to scholars in neighbouring disciplines such as the history of science, the history of ideas, theology and the social sciences.

'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science and also the insidious stickiness of honey, and the mystery of anger.' - James Elkins

Maurice Merleau-Ponty was one of the most important thinkers of the post-war era. Central to his thought was the idea that human understanding comes from our bodily experience of the world that we perceive: a deceptively simple argument, perhaps, but one that he felt had to be made in the wake of attacks from contemporary science and the philosophy of Descartes on the reliability of human perception.

From this starting point, Merleau-Ponty presented these seven lectures on The World of Perception to French radio listeners in 1948. Available in a paperback English translation for the first time in the Routledge Classics series to mark the centenary of Merleau-Ponty 's birth, this is a dazzling and accessible guide to a whole universe of experience, from the pursuit of scientific knowledge, through the psychic life of animals to the glories of the art of Paul C zanne.

This book confronts the singularity of the relationship between two exemplary writers of the last century in order to challenge and to reinvigorate our notions of what art and criticism - literary or otherwise - can do. While it takes Roland Barthes's encounters with Marcel Proust's monumental masterpiece A la recherche du temps perdu as its specific focus, the implications of its argument are far-reaching. Indeed, the book argues that Barthes's writing on Proust's work between the early 1950s and 1980 (including a substantial set of unpublished notes for a series of seminars delivered at the University of Rabat in 1969-1970) proposes not only a critical culture of Proust that is productively inconsistent, but also, more generally, a fresh understanding of criticism as a creative activity that embraces insecurity and variation as it refuses to remain fixed upon reassuringly stable themes, meanings and interpretations.